supported by 7 fans who also own “The Skin, The Colour”
Urgency, groove, tradition, anger, it's all there in this wonderful bass sound. The pieces reveal different aspects each time I listen to them. Feedback, overtones, shifting patterns, lyrical moments, make this a very contemporary and explorative album, while tone and phrasing at times reaffirm the power of the instrument's tradition. livkon
supported by 5 fans who also own “The Skin, The Colour”
I can't get through any new Bill Orcutt record without getting excited, but here he has gone one step further. Can we talk about invoking the spirit of counterpoint now? jiristepan