Design – Martin Vognsen
Engineer [House Engineer] – Michael Gunther
Engineer [Recording Engineer] – Martin Vognsen
Mixed By, Mastered By – Martin Vognsen
Photography By [Others] – Katsura Yamauchi
Photography By [Otomo/Nilssen-Love] – Lasse Marhaug
Producer – Martin Vognsen, Paal Nilssen-Love
supported by 10 fans who also own “Otomo Yoshihide & Paal Nilssen-Love”
After a precision liftoff in Tabasco and setting a course to travel the space ways from planet to planet, the album peels away through a wormhole just past Saturn in the eponymous track Mayan Space Station to journey through time and space in Canyons of Light. eric F
supported by 10 fans who also own “Otomo Yoshihide & Paal Nilssen-Love”
All these trax are good. James Blood Ulmer, via Ornette, enabled me to emerge from my be-bop coffin 1981. Harmolodics & the No Wave inspired the formation of Great White Noise, Sydney 1982-83. I'm still enjoying shaking off the rigamort. Am happy to dance with idiots.
Michael Sheridan
supported by 9 fans who also own “Otomo Yoshihide & Paal Nilssen-Love”
My god, what an absolutely incredible Suite. I'll admit, I've struggled to get into Pharoah Sanders due to diving headfirst into some of his most challenging catalogue and that never worked. This is the perfect place to restart. Floating Points is new for me and I can honestly say I've never heard synthesizer music this lush and organic before. the LSO is just perfect. This is one of those albums that any serious music fan needs in their life. The perfect swan song for the great Pharaoh! 5/5 ClassyMusicSnob